Although I have always enjoyed creating, my artistic journey didn't really begin until I accompanied my Mum to a watercolour evening class. I went on to paint landscapes and cityscapes until I decided to take the plunge and go back to college.

I started the educational side of my journey as a mature student moving from a foundation course onto a degree in fine art. I received my First Class BA honours degree from Wirral Metropolitan College in 2009 with the final group exhibition showing a body of work that I produced during the third year 'Human Nature' a large paper installation.

That year I also had my first solo show ‘Life in Paper’ showing three years work produced in or on paper and I had work shown at a artist book exhibition at the Williamsburg Art & Historical Centre  in New York which was later  purchased for their collection.

I had my first artists’ residency in 2011 at Arena Gallery and Studios which finished with a solo show and an artist talk. I have since used residency opportunities to engage the local community in art projects. This started in 2012 when I first worked on a community based project for Wigan Libraries, working with children to  re-use books to make trees. The opportunity to become Wigan libraries artist in residence came about during which I continued residing as for four years.

I was also one of the SCIBase artists whose work ‘Building Blocks of life’ was shown in Stockholm Independent Art Fair Supermarket 2012. I have shown more recently with them in Jamestown USA, Leeds and Liverpool.

I exhibit regionally, nationally and internationally and have work in private and public  collections worldwide including a piece of work which was purchased in 2013 by a collector for Tate Britain to be held in their Library Artists' Books Collection.                            


I was awarded a fellowship placement at the same institute for the following year. As well as using this time to develop my practice and mentor students I finished the year by showing a large body of work based on trees for the fellowship show at the Williamson Art Gallery, which were exhibited as part of the Liverpool Independents Biennial.

I wrote my first commissioned article in 2010, about my experiences of life a year after graduating, written for the Artists Newsletter degree supplement.

In the same year I spent a month as artist in residence at The 'Comma' community art shop, working with the public as part of an empty shop project ‘Comma’  Later that year I spent another month working on a residency project at the Royal Liverpool University Hospital for the Bluecoat Display Centre. 

Also in 2012 an image of 'Unilocular Slope' from the 'Human Nature' installation was shown on a huge screen as part of the Art Takes Times Square billboard event, at Broadway between 43rd Street and 44th Street, New York City, USA.


During 2013 I worked on a large commissioned project involving a site specific wall installation for SAICA’s PM11 paper mill at Partington, Manchester, many workshops and an artist talk. This led me to write for an article in The Quarterly, The Journal of the British Association of Paper Historians Edition No. 87 July 2013.

My work has featured in several articles including Printmaking Today and a Spotlight article on Practical Sustainability in the Harvard Business Review magazine in which I was the spotlight artist of the month. Also a photograph of my work 'Back to Your Roots' was used for the cover of 'Thinking Outside the Book' byAugusta Rohrbach.  


 In 2016 I showed many of my works in the sculpture garden ‘Achter de Westduinen’ in the Netherlands with one installation piece Inner Beauty remaining permanently.                                


Early in 2018 I created a spring woodland themed display using recycled books, magazines and newspapers that was shown in  the window of  the Bluecoat Display Centre in Liverpool and I ran a recycling book workshop with a woodland theme at Cass Arts to accompany it.

In  2018 I also was commissioned to produce an installation to be shown at the ISBT in Toronto made of thousands of printed blood cells that was shipped in four pieces and constructed in situ over a few days.